Movie Review: Katti Batti – Only Katti, No Batti!

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I was still recovering from the torture I suffered from Nikhil Advani‘s last release Hero when I was struck by another bout of suffering with his this week’s Imran Khan-Kangana Ranaut starrer Katti Batti.

Kangana is one actress who is hot in the industry circuits these days after Queen and Tanu Weds Manu Returns. She is also being compared with Aamir Khan for her script sense and that was the only thing that motivated me to go and watch this movie. I have decided to be ‘Katti’ with Nikhil for life after the double dhamakas.

The movie tells the story of Madhav aka Maddy (Imran Khan) and Payal (Kangana), and the on and off relationship with each other. It is love at first sight for Maddy and he keeps on pursuing Payal who is not interested in a serious relationship but ‘timepass’. Somehow the couple get into a live-in relationship, but after a slew of fights and incidents, Payal leaves him, forever, and Maddy is shattered. But, there is a ray of hope for him as he feels somewhere deep inside that Payal can’t be so heartless. And this realisation brings him back to life and he goes Payal-hunting. The rest of the movie is all about him trying to get her number, gatecrashing her marriage and attempts to woo her back.

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The story and screenplay by Anshul Singhal is a big let down and the constant flashbacks is a huge hindrance to the narrative. The dialogues are funny but no movie can run only on the basis of dialogues. Nikhil has proved once again that he is a mediocre director who needs to go back to assisting Karan Johar to learn more tricks about moviemaking. Performances are average especially Imran Khan’s who struggles to act but he couldn’t get it right. I blame the director for the same because even Kangana (a great performer) does an average job in this movie. However, Imran has a lengthier role compared to Kangana who is hardly there in the movie.

Coming to music, it is no great shakes. Shankar-Ehsaan-Loy has given better music in Nikhil’s previous movies like Kal Ho Na Ho or Salaam-E-Ishq. The cinematography is first rate and one should applaud Tushar Ray for the same. The movie could have been edited further to make it look crispier because most of the parts in the first half drags a lot.

On the whole, the movie is a rehash of several Hollywood movies which we have seen and is not even worth a dekho.

My Verdict: *