Posted on

Movie Review: Simran – Outstanding Performance, Weak Script!

If I say Kangana Ranaut is one of the most talented actors in India is an understatement. Kangana is the only actor in India who I think can hold up interest in a weak scripted movie with her performance alone, eg: Simran, this week’s release. A lot of hype was created around the movie about how Kangana was taking away the credits for the script from the writer of the movie Apurva Asrani. Kangana also claimed she improvised on the script and wrote numerous drafts over Apurva’s original draft and the movie is the result of those improvisations. However, if that is true, then Kangana should leave the writing part to the writers and stick to her part which is acting (she does that better than anything else).

Coming to the movie, Simran tells the story of a 30-year-old divorcee Praful Patel (Kangana) who works as a housekeeper in a luxury hotel in Atlanta. Praful stays with her parents and dreams of owning her own house. Things go out of hand when she loses all her money in a casino in Las Vegas and to win back her money she takes a loan from a loan shark. Meanwhile, her loan application gets rejected due to bad credit history. With the loan shark breathing down her neck, she has no choice but to start looting banks to pay back the loan amount.

The story is inspired by a true life incident however, the screenplay is a big let down. The first half is quite entertaining but the curse of second half puts its hands on this movie too. The second half is quite boring, unimaginative and blows the logic of our brains. The way Praful goes looting the bank and the way American cops seems to tackle the issue is quite childish and amateurish. Baring few really bad dialogues (eg: “Tumhe saans lete dekhna hi ek kamyabi hai” mouthed by Sohum Shah in a park while talking to Kangana), it is quite funny and real lifelike.

Coming to performances, the movie revolves around Kangana and therefore she is in the limelight. She blows your mind with her performance. The way she laughs, cries, emotes only through expressions is something only Kangana can do and it is quite believable. The way Kangana tries to flirt with a guy in a bar is quite hilarious. Also, the way she cries after losing her money in the casino reminds you of her drunken breakdown scene from Queen. There is a scene in the movie where Kangana does not have a dialogue, she just has to lift a champagne glass and toast it with the cityscape of Las Vegas, one can see and feel how she is celebrating the emptiness of her life. The scene where she lifts a stool to hit her father after he slaps her is again a wonderful scene. If Queen was one of her best, then Simran tops it. She is worthy of every award and rewards in the coming season. The director and writer have not given ample space for any supporting characters in the movie and therefore they do not leave a lasting impression.

Music by Sachin-Jigar is average but my favorite is ‘Meet’ and ‘Single Rehne De’. I think the filmmakers did a huge mistake by replacing the editor (Apurva Asrani) with Antara Lahiri as the second half editing is quite drab. The cinematography is good and so is the BGM.

Hansal Mehta is a wonderful director but in Simran’s world is a different ball game for him compared to his regular genre of dark and gritty ones, and it shows. There are a lot of scenes in the movie especially in the second half which could have been directed well especially the bank looting scenes and the car chase scenes. However, you cannot deny the fact that if Kangana does a great job with her acting then Hansal has to be praised for getting it out from her.

On the whole, I felt the screenplay lets the movie down but Kangana’s performance takes the movie to a different level.

My Verdict: ***/5 

Posted on

Movie Review: Shubh Mangal Saavdhan – A Must Watch!

In the last few weeks, we have been catered to movies primarily revolving around small town characters whether it is Toilet: Ek Prem Katha or Bareilley Ki Barfi or even Babumoshai Bandookbaaz. This week comes another small budget movie with a small town flavor starring Ayushman Khurana and Bhumi Pednekar – Shubh Mangal Saavdhan. Directed by debutant R S Prasanna, this is a remake of Prasanna’s 2013 Tamil sleeper hit movie Kalyana Samyal Sadham.

Mudit (Ayushman) and Sugandha (Bhumi) are all set to marry, however, two days prior to their wedding, Mudit realizes he suffers from an erectile dysfunction, which almost sabotages their wedding after both the families get involved. Leading to a comical mess, Mudit attempts to treat his medical condition, using all the possible quacks.

Here again, the story is the main hero of the movie talking about a taboo subject – erectile dysfunction. Writer Hitesh Kewaly has done a great job of translating and remolding a regional movie for the North Indian movie goers. The dialogues and situations are quite situational and funny eg: Seema Pahwa explaining sexual act via Alibaba and Gufa, the soggy biscuit falling scene explaining gent’s problem etc.

Performances are awesome and actors are well-cast based on the characters. Leading the pack is Ayushman Khurana who is becoming better with every movie. He plays the character of Mudit with a lot of conviction and we can aptly call him the ‘Amol Palekar’ of this generation. Bhumi Pednekar is first rate. There is a scene where Bhumi tries to seduce Ayushman in a park which starts off as a funny scene ending into an emotional one – here you can see how well she like a chameleon shifts from one mood to another. Seema Pahwa is hilarious and has done a wonderful job. After Bareilley Ki Barfi, this is another performance of Seema that will be remembered for a long time. Among the supporting actors, Brijendra Kala is awesome.

Music is average, however, you might put the Kanha song on a loop to listen. The cinematography is good. Editing is crisp (the movie is just 105 mins). Background score is nice.

On the whole, this is one movie one should not miss!

My Verdict: ****/5

Posted on

Movie Review: This Barfi From Barielly Is Too Good!

After an impressive Nil Bate Sannata, I was looking forward to Ashwini Iyer Tiwari’s next – Bareilly Ki Barfi and frankly speaking I was not disappointed. This Ayushmann Khurana, Rajkumar Rao and Kriti Sanon starrer is a perfect mithai to celebrate the comeback of feel good movies at the BO.

Bareilly Ki Barfi tells the story of Bitti Mishra (Kriti) who is the only child of her parents played by (Seema Pahwa and Pankaj Tripathi). Bitti likes to smoke, drink and lay bets apart from break-dancing in every marriage at Bareilly. She is the quintessential son to her father and causes worry to her mother as she is rejected by every boy who comes to see her. Tired of rejections, Bitti runs away from home and to kill time she buys a book – Bareilly Ki Barfi from a book stall at the railway station. She is surprised to read the similarities between the heroine of the novella and herself and she decides to come back home and search for the author of the book who knows her so well. In her quest to meet the author, she meets Chirag Dube (Ayushmann Khurana) who owns a printing press that published the book. He falls madly in love with Bitti, while she falls in love with this enigmatic author of Bareilly Ki Barfi – Pritam Vidrohi (Rajkumar Rao). 

Chirag, wants Pritam to break Bitti’s heart so that she can fall in love with him. And therefore, Chirag goes in search of Pritam. Does Chirag find Pritam, does Pritam agree to Chirag’s plan to break Bitti’s heart, would Chirag and Bitti get married… these are questions that can be answered once you see the movie.

Content is the king and Nitesh Tiwari has done a fantastic job with his writing. The Dangal director weaves his characters inspired by real life people, and the language and situations showcased in the movie are very real and that in turn makes the movie quite a pleasurable watch.

Ayushmann Khurana does a wonderful job and he has justified the character of Chirag with shades of gray beautifully. Kriti Sanon is the life of this movie. Bitti is Kriti, Kriti is Bitti. She shows a lot of maturity in her acting and seems to be in perfect sync with her character Bitti. Rajkumar Rao is a dream to watch. He acts wonderfully and in a snap of a finger he transforms from a meek guy to a macho guy is something worth applauding. It definitely showcases the mark of a great actor. Seema Pahwa and Pankaj Tripathi as Bitti’s parents are again a treat to watch. I wanted more of them in every scene of the movie – am I greedy? You will find out when you watch the movie.

The dialogues are funny and situational. The cinematography is nice capturing the essence of the small town beautifully. Ashwiny Iyer Tiwari is a great director goes with no doubt. She is one talent that has the potential to change the movie scenario. I would say she is the lady Rajkumar Hirani. Her grasp on the script and the way she has got her actors to play their characters effortlessly tells a great lot of things about her talent. Music by Tanishk-Vayu is hummable especially Nazm Nazm and Sweety Tera Drama.

On the whole, go for this sweet treat as you will not be disappointed.

My Verdict: ****/5

Posted on

Movie Review: Jolly LLB 2 – An average fare!

Taking the franchise of Jolly LLB ahead, Subhash Kapoor directed and Akshay Kumar starrer Jolly LLB 2 released this week. If you loved the sleeper hit Jolly LLB with Arshad Warsi then please do not go with humongous expectations to watch the second part in the franchise. The movie is good but in bits and parts and does not do much justice to the first part at all. However, Akshay Kumar takes the movie to a bigger high just with his sheer presence and acting. More on these later.

jolly-llb-2-review-1

What is the movie all about? Jagdishwar Mishra aka Jolly (Akshay Kumar) is a struggling lawyer who makes his living assisting a big time Lucknow lawyer / Nawab and also by taking up small cases individually. His wife, Pushpa (Huma Qureshi) on the other hand, is a supportive wife who loves her husband as well as her drinks. Jolly thinks he will be taken seriously as a lawyer only if her gets his own chamber at the court premises and gets a chance to have one but he is short on money. He sees an opportunity to make things work when he picks up the untouched case of Hina (Sayani Gupta). However, he messes up with her case resulting in her death. Jolly’s conscience takes a beating and he decides to bring her and her dead husband justice. He is set to fight against established lawyer, Mathur (Annu Kapoor) while Sundar Lal Tripathi (Saurabh Shukla) is the judge in charge. A complicated case that revolves around terrorism, corruption, and fake encounters becomes a tough affair for Jolly. Will he be able to unearth the truth is what is left to see.

The story is based on real events and holds promise, however, the screenplay lets down the movie. The dialogues are humorous and the real life situation inside a court is depicted very well. Subhash Kapoor could have mellowed down some drama in the second half and edited few portions to make the movie crisp and entertaining.

Akshay Kumar takes the movie on his able shoulders and delivers a power-packed performance. No other actor could have carried a wafer-thin plot on their shoulders the way Akshay has. Huma Qureshi is wasted in an inconsequential role. However, with just a couple of scenes, Sayani Gupta steals the show. Annu Kapoor, Kumud Mishra in a negative role and Saurabh Shukla as the judge has done a great job. Music is a hindrance in this movie and does not go with the flow. Editing as pointed above could have been crisp in the second half.

Overall, it’s a weak follow up to a strong first part. However, Akshay as usual excels.

My Verdict: **/5

Posted on

Movie Review: Raees – Old Wine In New Bottle… Highly Disappointing!

raees-7591

This week saw the release of much-awaited Raees starring Shah Rukh Khan (the movie was in the making and then in the cans for the longest time ever). The movie promos gave a perception that it had the best recipe for a sure shot hit. With few catchy dialogues thrown in – Baniye Ka Dimaag Aur Miyan Bhai Ki Daring…. a special item number with Sunny Leone thrown in for the front benchers. Some daredevilry fights punched in. And, overall the biggest star of the country SRK leading the way ahead. But, did the recipe actually work for Rahul ‘Parzania’ Dholakia and Farhan Akhtar‘s production house that we will have to wait and watch at the box office. Coming to the movie, let’s analyze if it was worth the wait.

Shah Rukh Khan plays Raees a spectacled goon who hates being called “battery”. He and his childhood friend cum sidekick (Mohammad Zeeshan Ayub) – how can a hero be without a sidekick; start from harmless Ponzi schemes to pre-planned rackets and becomes the top bootlegger of his town. How can a story about a criminal be complete without a police officer; so Raees meets his equal when ACP Majmudar (Nawazuddin Siddiqui) is posted in his area. Raees forms a nexus with politicians who fuel his business, but he soon becomes the thorn in their side. No Hindi film hero can be complete without a lady love and therefore we have Mahira Khan added to the cast to give some respite to Raees’ character whenever he is tired of running his criminal activities and cat and mouse game with the police.

The problem is with the script in totality. Rahul Dholakia and his writers have not offered anything new that we have not seen in earlier movies. Just putting the characters in 70’s and 80’s does not bring novelty to a plot. Even Shah Rukh’s performance is hampered because of the shoddy screenplay. Also, it is high time SRK did some analysis of his atrocious choices of movies after Chak De India. We want better movies from you Shah Rukh.

Nawazuddin, as usual, is good in his character but again the story and screenplay is the villain here. Even a wonderful performer like Mohammed Zeeshan Ayub as well as Atul Kulkarni are wasted in insignificant roles. Casting of Mahira Khan in the movie and creating a controversy around her was all a hoax. Any junior artist could have done her role.

Coming to the music. Ram Sampath does a decent job but the songs sound very jaded and very 90’s. Cinematography by K.U. Mohanan is first rate. Action scenes are okay and in few places, we feel the action director got confused if he was making a Superman or Batman or Antman movie and has made SRK perform like one. Editing by Deepa Bhatia could have been crispier especially in the second half. Coming to direction, I would rather advise Rahul Dholakia to make his brand of movies like Parzania than attempt potboilers that do not make any sense at all.

Overall, the movie is an utter disappointment.

My Verdict: **/5

Posted on

Movie Review: Dangal – A Must Watch!

Aamir Khan is like Santa Claus every Christmas he comes with a nice gift for all of us in the form of a wonderful movie. This Christmas is special because of his latest release – Dangal. Based on the real-life story of wrestler Mahavir Phogat and his daughters Geeta and Babita. Directed by Nitesh Tiwari, Dangal is a great story told on screen.

dangal

Mahavir Singh Phogat (Aamir Khan) is an amateur wrestler who was forced to give up wrestling due to financial difficulties. He was unable to win a gold medal for India and vows that his son will. He is disappointed when his wife gives birth to four daughters. He gives up his dream thinking that girls cannot wrestle and should only be taught household chores. But when his older daughters, Geeta (Fatima Sana Shaikh) and Babita (Sanya Malhotra) come home after beating up two boys, Mahavir realizes his daughters have the potential to become wrestlers and start coaching them.

In a society where women are traditionally not into wrestling Mahavir Phogat encouraged and fought against all societal norms to take his daughters to international wrestling competition and they also come back victorious. The story is quite moving and shows the dedication and passion towards this rustic game.

Nitesh Tiwari and his writers have done a great job in the writing department, however, the editing could have been crispier. There are few scenes in the first and second half where you feel it could have been edited out to make it gripping. The real bout scenes in the second half are so engrossing that you feel as if you are watching a live bout.

Performances by every artist are very good and commendable especially Aamir, Sakshi, Fatima, Sana and the two young girls and Aparshakti who are the main characters. The supporting cast is well chosen by Mukesh Chabbra and the entire movie experience is quite engrossing.

Music by Pritam is not up to the mark but goes with the tone and content of the movie. Cinematography by Sethu Sriram is very good. The Indian heartland is well-captured.

On the whole, Dangal is a movie with a heart. Go for it and surprisingly find yourself cheering for these girls as if you are watching a real game of wrestling.

My Verdict: ****/5

Posted on

Movie Review: Kahaani 2 Fantastic Performances, Poor Script!

Kahaani, when it released in 2012 was a sleeper hit and a part two was eagerly awaited. This week, the wait is over and Kahaani 2: Durga Rani Singh got released starring Vidya Balan and Arjun Rampal. Apart from Vidya Balan and Sujoy Ghosh, there is no connection to Kahaani.

kahaani

Coming to the story,  Kahaani 2 has no connection with the first part apart from Vidya Balan and Sujoy Ghosh. Also, it is not a sequel to Kahaani but it is in the same line where the main protagonist Vidya Sinha (Vidya Balan) is in search of her crippled daughter Mini (Tunisha Sharma). The movie starts with Vidya getting a call about her daughter being kidnapped and she hysterically runs around the lanes of a small town Chandan Nagar and within minutes she is hit by a speeding car leaving her comatose. Soon, Inderjit Singh (Arjun Rampal) is introduced as the Inspector investigating the case. A visit to the victim’s house reveals to Inderjit that she had acquired a fake identity and also her diary enlightens the fact that she had a trying life that she and her daughter Mini had survived. As Vidya’s condition sinks, she has a mysterious visitor at the hospital who tries to kill her by jabbing a syringe into her wrist. As scope for her recovery seems bleak, Inderjeet strives to get to the bottom of the affair, with or without her assistance. So, will Vidya ever be united with her daughter? Will Inderjeet detect what drove Vidya to adopt an alias? These questions are best unanswered to keep spoilers at bay.

Coming to the script, it is quite engaging in the first half. The story moves ahead at a faster pace and has you hooked with no time to think of any bloopers, however, Kahaani 2 also suffers from the curse of the second half which is quite evident in almost every movie released this year. Suddenly the entire plot is something that even a small kid can predict. However, Sujoy does a great job as a director but the screenplay lets him down.

Vidya Balan as Vidya Sinha / Durga Rani Singh is FANTASTIC. She emotes every emotion effortlessly and is a sheer pleasure to watch. This one of the best performances by Balan and might be considered for every award function that will kick start in few weeks time. Arjun Rampal surprisingly does a wonderful job. This movie has challenged the hidden actor in him and he proves that if given a right script and a director, he can definitely hit back with a great performance. Jugal Hansraj as the mean uncle does a commendable job and also a never seen before act, and every time he comes on screen you tend to hate his presence. That shows he has owned his character completely. Rest of the supporting cast also does a great job.

The editing could have been crisper in the second half as there are times when you tend to get bored with the proceedings. The music is situational and is not something you will ever listen to.

Overall, Kahaani 2 is not a better version of its predecessor, but it is still a one-time watch only for Vidya Balan.

My Verdict: **1/2

Alright so Christmas season is soon coming and I have a perfect gift for you. My book Alfie The Elf released recently and it is a good gift for you and your kids this Christmas, also every book sold will bring a smile on the face of a less-privileged child as 40% of the sale proceeds are going to DreamADream NGO. Please do see the book trailer below and if interested, click here to order. Also available on every leading online bookstore nationally and internationally in paperback and e-Book format.

Posted on

Review: Dear Zindagi ‘I Love You’!

dear-zindagi

I know it’s been a while I reviewed any of the new releases, however, I was busy with the release of my new book Alfie The Elf. Anyway, at no cost I wanted to miss out on Dear Zindagi that released this week starring Alia Bhatt and Shah Rukh Khan and directed by Gauri Shinde of ‘English Vinglish’ fame. Let me directly dive into the plotline of the movie.

Kaira aka Koko (Alia Bhatt) is an ambitious cinematographer (wait aren’t they called DOP these days?) who like many millennials has a messy love life and a yet to bloom career. She falls in and out of love instantly. She parties and also cheats on her boyfriend (Angad Bedi)  with another man. However, her entire world comes crumbling down first with a heartbreak when the guy of her dreams Raghvendra (Kunal Kapoor) dumps her and gets engaged to someone else. And, then her landlord  slaps her with an eviction notice and our cutie-pie Kaira processes this cumulative assault while biting into green chilies. Throughout you are subjected to a slight hint of her strained relationship with her parents.

Enter Jehangir Khan aka Jugs (Shah Rukh Khan) who is a DD – Dimag Ka Doctor, who tries to help Kaira with her problems and to love her Zindagi. In his ‘out of textbook’ ways, Jug helps Kyra open up about her on the surface problems and further digs into the bigger ones. With his ‘cool’ stories, he wins over Kyra’s fears and teaches her to embrace life. Alas, our baby-faced Kaira falls head over heals in love with Jugs. Now, what? Would Jugs reciprocate to her love or leave her like her previous crushes? Find out by watching Dear Zindagi at a theater near you!

Coming to the script and screenplay, which seems to be good, however, Gauri seems to have gone on a trip of her own. She tries to weave in multiple issues into one story for the character. The parental issues, love life issues, career issues etc. and in that process losses track. The sparks she showed with Sridevi starrer English Vinglish is missing. The dialogues though initially interesting tends to be very preachy and boring in the second half.

Performance wise, this is Alia’s best. She rises above the screenplay and gets perfectly into Kiara’s character making it more believable. Shah Rukh Khan as Jugs is impressive, however, the dialogues let things down. As the entire focus of the movie is on Kaira’s character, the characters supporting hers viz; Raghu (Kunal Kapoor), Sid (Angad Bedi) or Rumi (Ali Zafar) get no background whatsoever.

The music is average only the title song ‘Love You Zindagi’ and a rehash of yesteryear superhit song ‘Ae Zindagi’ from Sadma composed by maestro Illayaraja stands out. Editing in the second half could have been crisper.

On the whole, Dear Zindagi is a great watch for all Alia Bhatt and SRK fans.

My Verdict:***

Have you watched the book trailer of my latest book Alfie The Elf? No? See Below! 🙂

Book released all over the world… also now available for Amazon Prime customers!

Posted on

Movie Review: Shivaay – A Feast for Ajay Devgan Fans!

The second BIG movie of the week is Actor, Producer and Director Ajay Devgn’s second directorial – Shivaay. After a round of controversies surrounding the movie courtesy Kamal R Khan aka KRK, this action packed movie released with much hype and expectations. Let’s find out if the movie was able to live up to the expectations or not.

Shivaay ( Ajay Devgn) is a mountaineer who conducts treks in the Himalayas and lives in a small house. On one of his tours, he meets the Hindi speaking Bulgarian student Olga (Erika Kaar) and falls in love with her after he saves her life in a deadly avalanche. Olga becomes pregnant and is not willing to give birth to a child but on Shivaay’s insistence, she agrees to deliver the child Gaura (Abigail Eames) but refuses to raise it with him and returns to Bulgaria.

Nine years later, Gaura who was told by Shivaay that her mother is dead, learns about her existence through a letter. The peaceful life of Shivaay is shattered when Gaura confronts him about this learning and forces him to take her to Olga. So, Shivaay and Gaura go to Bulgaria to meet Olga who is now married to a Bulgarian, however, in a twist of destiny, Gaura gets kidnapped by a child trafficking gang and thus begins Shivaay’s cat and mouse chase with the kidnappers. Will Shivaay be able to save Gaura? How far will a father to go for the safety of his daughter? Find out by watching the movie.

The plot is very good slightly inspired by Taken but the script lacks punch, However, the father-daughter angle is explored very beautifully by Ajay.  Ajay Devgn as a performer and director does a superior job but his writers Robin Bhatt and Sandeep Srivastava pull him down. The action in the movie is interesting. As Shivaay, Ajay Devgn lives the role and Abigail Eames as Gaura does a wonderful job. Erika Kaar and Saayesha Saigal are good in their respective roles, however, as the story is about Ajay and Abigail, the other actors get less importance in the narrative.

Music by Mithoon is average but the background score is impactful. Cinematography by Aseem Bajaj is beautiful. The snowcapped mountains are captured wonderfully. Editing by Dharmendra Sharma is average, he could have done some crispier cuts in few sequences especially the chase sequence which is too long and tends to get boring.

On the whole, Shivaay is a good attempt by Ajay Devgn and his fans will love this actioner from him.

My Verdict: ***

Posted on

Movie Review: Ae Dil Hai Mushkil!

Diwali is the biggest festival of India and like every year, this year too, two BIG movies are clashing with each other to  get audience’s attention. The first movie I am reviewing is Karan Johar’s much-anticipated, much-talked and controversy surrounded – Ae Dil Hai Mushkil. Without much talking, let me dive into the story of ADHM.

The movie starts with ‘private-jet ameer’ Ayan (Ranbir) trying to hook up with ‘Raees’ Alizeh (Anushka) after a chance encounter at a London pub. However, instead of they ending up in bed and bidding farewell later, they strike up a friendship instantly. They’re both Bollywood-crazy goofballs who love cheesy ’80s songs, poke fun at each other’s partners and fit into each other like pieces of a jigsaw puzzle. But Ayan wants more from the relationship while Alizeh wants to have him as her ‘bestestest’ friend forever after reeling from her break-up with her ex DJ Ali (Fawad). Although, Ayan is a good singer, but Alizeh feels there is no feeling in his singing as he has never experienced heartbreak. Which he does when a chance encounter with Ali while Alizeh and Ayan are holidaying in Paris, makes her slip back into his arms, leaving him distraught.

Alizeh goes back to Lucknow and gets married to Ali against her parent’s wishes. Ayan tries to make Alizeh understand his love for her, but she rejects him as she is not in love with him. A distraught and heartbroken Ayan then finds solace in a physical relationship with an older divorcee Saba (Aishwarya), who helps him get a new perspective on one-sided love.

Will Alizeh fall in love with Ayan and accept him as her lover or will Ayan find his soulmate in Saba? To find out, watch the movie.

The story by Karan Johar is a mixture of his earlier movies like Kuch Kuch Hota Hai, Kal Ho Na Ho, Ek Main Aur Ek Tu etc. and Rockstar. There is no originality in the story or script, however, performances by the lead actors keep the movie afloat and entertaining. Ranbir, as usual, does a fantastic job and Anushka is a dream to watch. Their chemistry is crackling and you don’t turn your face away whenever they mouth those typical filmy corny dialogues from the 80s and 90s. Aishwarya looks beautiful and does a decent job in her small role. Lisa Haydon is hilarious and makes the ‘Vaatavaran’ exciting with her presence. Fawad Khan and Imran Abbas are just okay and do not have too many screen time (there was no need for the entire controversy to be created around their presence in the movie). Shah Rukh Khan and Alia Bhatt lightens up the screen with their short cameos.

Dialogues by Niranjan Iyengar and Karan Johar is good and the first half is quite entertaining because of the dialogues and the lead pair’s chemistry. The second half drags in the first 20 minutes and then picks up once Anushka and Ranbir meet again. The music by Pritam is outstanding especially the title song and Channa Mereya which has a haunting presence even in the BG score.

Cinematography by Anil Mehta is very good and you will fall in love with the lighting and every frame which gives you that typical KJo signature style. Editing could have been crisper, especially in the second half.

Overall, ADHM is a feel good movie and keeps you entertained and therefore I would recommend you to watch it at least once if you are a fan of KJO movies.

My Verdict: ***