Movie Review: Jolly LLB 2 – An average fare!

Taking the franchise of Jolly LLB ahead, Subhash Kapoor directed and Akshay Kumar starrer Jolly LLB 2 released this week. If you loved the sleeper hit Jolly LLB with Arshad Warsi then please do not go with humongous expectations to watch the second part in the franchise. The movie is good but in bits and parts and does not do much justice to the first part at all. However, Akshay Kumar takes the movie to a bigger high just with his sheer presence and acting. More on these later.

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What is the movie all about? Jagdishwar Mishra aka Jolly (Akshay Kumar) is a struggling lawyer who makes his living assisting a big time Lucknow lawyer / Nawab and also by taking up small cases individually. His wife, Pushpa (Huma Qureshi) on the other hand, is a supportive wife who loves her husband as well as her drinks. Jolly thinks he will be taken seriously as a lawyer only if her gets his own chamber at the court premises and gets a chance to have one but he is short on money. He sees an opportunity to make things work when he picks up the untouched case of Hina (Sayani Gupta). However, he messes up with her case resulting in her death. Jolly’s conscience takes a beating and he decides to bring her and her dead husband justice. He is set to fight against established lawyer, Mathur (Annu Kapoor) while Sundar Lal Tripathi (Saurabh Shukla) is the judge in charge. A complicated case that revolves around terrorism, corruption, and fake encounters becomes a tough affair for Jolly. Will he be able to unearth the truth is what is left to see.

The story is based on real events and holds promise, however, the screenplay lets down the movie. The dialogues are humorous and the real life situation inside a court is depicted very well. Subhash Kapoor could have mellowed down some drama in the second half and edited few portions to make the movie crisp and entertaining.

Akshay Kumar takes the movie on his able shoulders and delivers a power-packed performance. No other actor could have carried a wafer-thin plot on their shoulders the way Akshay has. Huma Qureshi is wasted in an inconsequential role. However, with just a couple of scenes, Sayani Gupta steals the show. Annu Kapoor, Kumud Mishra in a negative role and Saurabh Shukla as the judge has done a great job. Music is a hindrance in this movie and does not go with the flow. Editing as pointed above could have been crisp in the second half.

Overall, it’s a weak follow up to a strong first part. However, Akshay as usual excels.

My Verdict: **/5

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Movie Review: Raees – Old Wine In New Bottle… Highly Disappointing!

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This week saw the release of much-awaited Raees starring Shah Rukh Khan (the movie was in the making and then in the cans for the longest time ever). The movie promos gave a perception that it had the best recipe for a sure shot hit. With few catchy dialogues thrown in – Baniye Ka Dimaag Aur Miyan Bhai Ki Daring…. a special item number with Sunny Leone thrown in for the front benchers. Some daredevilry fights punched in. And, overall the biggest star of the country SRK leading the way ahead. But, did the recipe actually work for Rahul ‘Parzania’ Dholakia and Farhan Akhtar‘s production house that we will have to wait and watch at the box office. Coming to the movie, let’s analyze if it was worth the wait.

Shah Rukh Khan plays Raees a spectacled goon who hates being called “battery”. He and his childhood friend cum sidekick (Mohammad Zeeshan Ayub) – how can a hero be without a sidekick; start from harmless Ponzi schemes to pre-planned rackets and becomes the top bootlegger of his town. How can a story about a criminal be complete without a police officer; so Raees meets his equal when ACP Majmudar (Nawazuddin Siddiqui) is posted in his area. Raees forms a nexus with politicians who fuel his business, but he soon becomes the thorn in their side. No Hindi film hero can be complete without a lady love and therefore we have Mahira Khan added to the cast to give some respite to Raees’ character whenever he is tired of running his criminal activities and cat and mouse game with the police.

The problem is with the script in totality. Rahul Dholakia and his writers have not offered anything new that we have not seen in earlier movies. Just putting the characters in 70’s and 80’s does not bring novelty to a plot. Even Shah Rukh’s performance is hampered because of the shoddy screenplay. Also, it is high time SRK did some analysis of his atrocious choices of movies after Chak De India. We want better movies from you Shah Rukh.

Nawazuddin, as usual, is good in his character but again the story and screenplay is the villain here. Even a wonderful performer like Mohammed Zeeshan Ayub as well as Atul Kulkarni are wasted in insignificant roles. Casting of Mahira Khan in the movie and creating a controversy around her was all a hoax. Any junior artist could have done her role.

Coming to the music. Ram Sampath does a decent job but the songs sound very jaded and very 90’s. Cinematography by K.U. Mohanan is first rate. Action scenes are okay and in few places, we feel the action director got confused if he was making a Superman or Batman or Antman movie and has made SRK perform like one. Editing by Deepa Bhatia could have been crispier especially in the second half. Coming to direction, I would rather advise Rahul Dholakia to make his brand of movies like Parzania than attempt potboilers that do not make any sense at all.

Overall, the movie is an utter disappointment.

My Verdict: **/5

Movie Review: Dangal – A Must Watch!

Aamir Khan is like Santa Claus every Christmas he comes with a nice gift for all of us in the form of a wonderful movie. This Christmas is special because of his latest release – Dangal. Based on the real-life story of wrestler Mahavir Phogat and his daughters Geeta and Babita. Directed by Nitesh Tiwari, Dangal is a great story told on screen.

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Mahavir Singh Phogat (Aamir Khan) is an amateur wrestler who was forced to give up wrestling due to financial difficulties. He was unable to win a gold medal for India and vows that his son will. He is disappointed when his wife gives birth to four daughters. He gives up his dream thinking that girls cannot wrestle and should only be taught household chores. But when his older daughters, Geeta (Fatima Sana Shaikh) and Babita (Sanya Malhotra) come home after beating up two boys, Mahavir realizes his daughters have the potential to become wrestlers and start coaching them.

In a society where women are traditionally not into wrestling Mahavir Phogat encouraged and fought against all societal norms to take his daughters to international wrestling competition and they also come back victorious. The story is quite moving and shows the dedication and passion towards this rustic game.

Nitesh Tiwari and his writers have done a great job in the writing department, however, the editing could have been crispier. There are few scenes in the first and second half where you feel it could have been edited out to make it gripping. The real bout scenes in the second half are so engrossing that you feel as if you are watching a live bout.

Performances by every artist are very good and commendable especially Aamir, Sakshi, Fatima, Sana and the two young girls and Aparshakti who are the main characters. The supporting cast is well chosen by Mukesh Chabbra and the entire movie experience is quite engrossing.

Music by Pritam is not up to the mark but goes with the tone and content of the movie. Cinematography by Sethu Sriram is very good. The Indian heartland is well-captured.

On the whole, Dangal is a movie with a heart. Go for it and surprisingly find yourself cheering for these girls as if you are watching a real game of wrestling.

My Verdict: ****/5

Movie Review: Kahaani 2 Fantastic Performances, Poor Script!

Kahaani, when it released in 2012 was a sleeper hit and a part two was eagerly awaited. This week, the wait is over and Kahaani 2: Durga Rani Singh got released starring Vidya Balan and Arjun Rampal. Apart from Vidya Balan and Sujoy Ghosh, there is no connection to Kahaani.

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Coming to the story,  Kahaani 2 has no connection with the first part apart from Vidya Balan and Sujoy Ghosh. Also, it is not a sequel to Kahaani but it is in the same line where the main protagonist Vidya Sinha (Vidya Balan) is in search of her crippled daughter Mini (Tunisha Sharma). The movie starts with Vidya getting a call about her daughter being kidnapped and she hysterically runs around the lanes of a small town Chandan Nagar and within minutes she is hit by a speeding car leaving her comatose. Soon, Inderjit Singh (Arjun Rampal) is introduced as the Inspector investigating the case. A visit to the victim’s house reveals to Inderjit that she had acquired a fake identity and also her diary enlightens the fact that she had a trying life that she and her daughter Mini had survived. As Vidya’s condition sinks, she has a mysterious visitor at the hospital who tries to kill her by jabbing a syringe into her wrist. As scope for her recovery seems bleak, Inderjeet strives to get to the bottom of the affair, with or without her assistance. So, will Vidya ever be united with her daughter? Will Inderjeet detect what drove Vidya to adopt an alias? These questions are best unanswered to keep spoilers at bay.

Coming to the script, it is quite engaging in the first half. The story moves ahead at a faster pace and has you hooked with no time to think of any bloopers, however, Kahaani 2 also suffers from the curse of the second half which is quite evident in almost every movie released this year. Suddenly the entire plot is something that even a small kid can predict. However, Sujoy does a great job as a director but the screenplay lets him down.

Vidya Balan as Vidya Sinha / Durga Rani Singh is FANTASTIC. She emotes every emotion effortlessly and is a sheer pleasure to watch. This one of the best performances by Balan and might be considered for every award function that will kick start in few weeks time. Arjun Rampal surprisingly does a wonderful job. This movie has challenged the hidden actor in him and he proves that if given a right script and a director, he can definitely hit back with a great performance. Jugal Hansraj as the mean uncle does a commendable job and also a never seen before act, and every time he comes on screen you tend to hate his presence. That shows he has owned his character completely. Rest of the supporting cast also does a great job.

The editing could have been crisper in the second half as there are times when you tend to get bored with the proceedings. The music is situational and is not something you will ever listen to.

Overall, Kahaani 2 is not a better version of its predecessor, but it is still a one-time watch only for Vidya Balan.

My Verdict: **1/2

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Review: Dear Zindagi ‘I Love You’!

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I know it’s been a while I reviewed any of the new releases, however, I was busy with the release of my new book Alfie The Elf. Anyway, at no cost I wanted to miss out on Dear Zindagi that released this week starring Alia Bhatt and Shah Rukh Khan and directed by Gauri Shinde of ‘English Vinglish’ fame. Let me directly dive into the plotline of the movie.

Kaira aka Koko (Alia Bhatt) is an ambitious cinematographer (wait aren’t they called DOP these days?) who like many millennials has a messy love life and a yet to bloom career. She falls in and out of love instantly. She parties and also cheats on her boyfriend (Angad Bedi)  with another man. However, her entire world comes crumbling down first with a heartbreak when the guy of her dreams Raghvendra (Kunal Kapoor) dumps her and gets engaged to someone else. And, then her landlord  slaps her with an eviction notice and our cutie-pie Kaira processes this cumulative assault while biting into green chilies. Throughout you are subjected to a slight hint of her strained relationship with her parents.

Enter Jehangir Khan aka Jugs (Shah Rukh Khan) who is a DD – Dimag Ka Doctor, who tries to help Kaira with her problems and to love her Zindagi. In his ‘out of textbook’ ways, Jug helps Kyra open up about her on the surface problems and further digs into the bigger ones. With his ‘cool’ stories, he wins over Kyra’s fears and teaches her to embrace life. Alas, our baby-faced Kaira falls head over heals in love with Jugs. Now, what? Would Jugs reciprocate to her love or leave her like her previous crushes? Find out by watching Dear Zindagi at a theater near you!

Coming to the script and screenplay, which seems to be good, however, Gauri seems to have gone on a trip of her own. She tries to weave in multiple issues into one story for the character. The parental issues, love life issues, career issues etc. and in that process losses track. The sparks she showed with Sridevi starrer English Vinglish is missing. The dialogues though initially interesting tends to be very preachy and boring in the second half.

Performance wise, this is Alia’s best. She rises above the screenplay and gets perfectly into Kiara’s character making it more believable. Shah Rukh Khan as Jugs is impressive, however, the dialogues let things down. As the entire focus of the movie is on Kaira’s character, the characters supporting hers viz; Raghu (Kunal Kapoor), Sid (Angad Bedi) or Rumi (Ali Zafar) get no background whatsoever.

The music is average only the title song ‘Love You Zindagi’ and a rehash of yesteryear superhit song ‘Ae Zindagi’ from Sadma composed by maestro Illayaraja stands out. Editing in the second half could have been crisper.

On the whole, Dear Zindagi is a great watch for all Alia Bhatt and SRK fans.

My Verdict:***

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Movie Review: Shivaay – A Feast for Ajay Devgan Fans!

The second BIG movie of the week is Actor, Producer and Director Ajay Devgn’s second directorial – Shivaay. After a round of controversies surrounding the movie courtesy Kamal R Khan aka KRK, this action packed movie released with much hype and expectations. Let’s find out if the movie was able to live up to the expectations or not.

Shivaay ( Ajay Devgn) is a mountaineer who conducts treks in the Himalayas and lives in a small house. On one of his tours, he meets the Hindi speaking Bulgarian student Olga (Erika Kaar) and falls in love with her after he saves her life in a deadly avalanche. Olga becomes pregnant and is not willing to give birth to a child but on Shivaay’s insistence, she agrees to deliver the child Gaura (Abigail Eames) but refuses to raise it with him and returns to Bulgaria.

Nine years later, Gaura who was told by Shivaay that her mother is dead, learns about her existence through a letter. The peaceful life of Shivaay is shattered when Gaura confronts him about this learning and forces him to take her to Olga. So, Shivaay and Gaura go to Bulgaria to meet Olga who is now married to a Bulgarian, however, in a twist of destiny, Gaura gets kidnapped by a child trafficking gang and thus begins Shivaay’s cat and mouse chase with the kidnappers. Will Shivaay be able to save Gaura? How far will a father to go for the safety of his daughter? Find out by watching the movie.

The plot is very good slightly inspired by Taken but the script lacks punch, However, the father-daughter angle is explored very beautifully by Ajay.  Ajay Devgn as a performer and director does a superior job but his writers Robin Bhatt and Sandeep Srivastava pull him down. The action in the movie is interesting. As Shivaay, Ajay Devgn lives the role and Abigail Eames as Gaura does a wonderful job. Erika Kaar and Saayesha Saigal are good in their respective roles, however, as the story is about Ajay and Abigail, the other actors get less importance in the narrative.

Music by Mithoon is average but the background score is impactful. Cinematography by Aseem Bajaj is beautiful. The snowcapped mountains are captured wonderfully. Editing by Dharmendra Sharma is average, he could have done some crispier cuts in few sequences especially the chase sequence which is too long and tends to get boring.

On the whole, Shivaay is a good attempt by Ajay Devgn and his fans will love this actioner from him.

My Verdict: ***

Movie Review: Ae Dil Hai Mushkil!

Diwali is the biggest festival of India and like every year, this year too, two BIG movies are clashing with each other to  get audience’s attention. The first movie I am reviewing is Karan Johar’s much-anticipated, much-talked and controversy surrounded – Ae Dil Hai Mushkil. Without much talking, let me dive into the story of ADHM.

The movie starts with ‘private-jet ameer’ Ayan (Ranbir) trying to hook up with ‘Raees’ Alizeh (Anushka) after a chance encounter at a London pub. However, instead of they ending up in bed and bidding farewell later, they strike up a friendship instantly. They’re both Bollywood-crazy goofballs who love cheesy ’80s songs, poke fun at each other’s partners and fit into each other like pieces of a jigsaw puzzle. But Ayan wants more from the relationship while Alizeh wants to have him as her ‘bestestest’ friend forever after reeling from her break-up with her ex DJ Ali (Fawad). Although, Ayan is a good singer, but Alizeh feels there is no feeling in his singing as he has never experienced heartbreak. Which he does when a chance encounter with Ali while Alizeh and Ayan are holidaying in Paris, makes her slip back into his arms, leaving him distraught.

Alizeh goes back to Lucknow and gets married to Ali against her parent’s wishes. Ayan tries to make Alizeh understand his love for her, but she rejects him as she is not in love with him. A distraught and heartbroken Ayan then finds solace in a physical relationship with an older divorcee Saba (Aishwarya), who helps him get a new perspective on one-sided love.

Will Alizeh fall in love with Ayan and accept him as her lover or will Ayan find his soulmate in Saba? To find out, watch the movie.

The story by Karan Johar is a mixture of his earlier movies like Kuch Kuch Hota Hai, Kal Ho Na Ho, Ek Main Aur Ek Tu etc. and Rockstar. There is no originality in the story or script, however, performances by the lead actors keep the movie afloat and entertaining. Ranbir, as usual, does a fantastic job and Anushka is a dream to watch. Their chemistry is crackling and you don’t turn your face away whenever they mouth those typical filmy corny dialogues from the 80s and 90s. Aishwarya looks beautiful and does a decent job in her small role. Lisa Haydon is hilarious and makes the ‘Vaatavaran’ exciting with her presence. Fawad Khan and Imran Abbas are just okay and do not have too many screen time (there was no need for the entire controversy to be created around their presence in the movie). Shah Rukh Khan and Alia Bhatt lightens up the screen with their short cameos.

Dialogues by Niranjan Iyengar and Karan Johar is good and the first half is quite entertaining because of the dialogues and the lead pair’s chemistry. The second half drags in the first 20 minutes and then picks up once Anushka and Ranbir meet again. The music by Pritam is outstanding especially the title song and Channa Mereya which has a haunting presence even in the BG score.

Cinematography by Anil Mehta is very good and you will fall in love with the lighting and every frame which gives you that typical KJo signature style. Editing could have been crisper, especially in the second half.

Overall, ADHM is a feel good movie and keeps you entertained and therefore I would recommend you to watch it at least once if you are a fan of KJO movies.

My Verdict: ***

Movie Review: ‘PINK’ Is The New Black!

This week apart from the sloppy horror fest Raaz Reboot, one also witnessed the release of a small but dark movie by Aniruddha Roy Chowdhury – PINK. Produced by Rashmi Sharma and Shoojit Sarkar, starring megastar Amitabh Bachchan, Tapsee Pannu, Kriti Kulhari, Andrea Taring, Angad Bedi and Piyush Mishra, PINK is a gritty and dark take on crimes done on women in a city like Delhi.

Three girls – Minal Arora (Taapsee Pannu), Falak Ali (Kirti Kulhari) and Andrea (Andrea Tariang) are staying together as tenants in a posh South Delhi locality and are normal working professionals in their respective fields. One night, after a rock concert they accept a dinner invitation from Rajveer (Angad Bedi), who is a relative of a powerful politician, and two others to a resort in Surajkund, Haryana. Rajveer is known to Minal through a common friend and therefore they go with the boys. Rajveer and his friends get drunk and try to molest Minal and her two roommates. Minal in the heat of the hour smashes a bottle on Rajveer’s face hurting his eye, leaving him bleeding.

In retaliation, Rajveer and his friends try to vacate the girls from their houses, threaten them over the phone and also abduct Minal and physically assault her. Minal is forced to file a FIR against Rajveer and his friends. Upon realization Rajveer lodges a wrong FIR against the girls, labeling them as prostitutes, using his powerful connections. Minal is charged for ‘Attempt to murder’ and for soliciting, where she could face imprisonment for more than 10 years if convicted.

Deepak Sehgal (Amitabh Bachchan) is a lawyer suffering from bipolar disorder who experiences frequent mood swings and has an ailing wife. He is also a neighbor of the three girls and witness their troubles & agrees to represent the girls in the court. The film revolves around how Deepak fights the girls’ case against these influential boys in the court.

Performances in the movie are a highlight. Every actor justifies their respective characters. Among the girls Tapsee Pannu and Kriti Kulhari do a wonderful job. This is the first time that these two actresses have got a meaty role to dig their teeth into. Amitabh Bachchan is in a great phase of his career. The legend is getting some of the best characters in his second innings which would make any actor from his generation envious of him. Angad Bedi is quite effective and so are the actors playing his friends. Dhritiman Chatterjee and Piyush Mishra in the role of a judge and prosecutor  quite remarkably.

The story, screenplay, and dialogues are quite powerful and not only gives the debutant director (in Hindi) Aniruddha a good scope to showcase his skills. The cinematography by Abhik Mukhopadhyay is quite nice and so is the editing by Bodhaditya Banerjee which is quite crisp. The background score is quite gripping however there is no scope for music in this realistic movie.

On the whole, this is a very good movie that everyone should watch at least once.

My Verdict: 4/5

Movie Review: Raaz Reboot A Great Spoof On Horror Movies!

Vikram Bhatt‘s obsession with the supernatural subjects is widely known and after making some really good movies  in this genre viz. Raaz, 1920, Haunted 3D etc., he seems to have run out of ideas. Proof? In the last few years, movies like Raaz 3D, Shaapit, Creature 3D, 1920 London Returns etc. written or directed by him did not offer any novelty. However, I did go to watch Raaz Rebooted with a lot of expectations. One, for the franchise and two, I thought after few setbacks Vikram would have upped the game to bring back the audience’s faith back in him. Alas, I was much disappointed. Anyway, more on that later. Let me start with my review.

Raaz Rebooted tells the story of Rehaan (Gaurav Arora) and Shaina (Kriti Kharbanda) who move back to Romania after Rehaan gets a lucrative job offer. The couple although married seem to have a lot going on between them after they shift to Romania. Although they stay under the same roof but they live in different rooms. Soon Rehaan gets busy with his work and Shaina seems to experience paranormal activities in the house, making her believe that the house is haunted. However, Rehaan dismisses her claims and chooses not to believe her which makes her feel more lonely and distant from him.

One day Shaina runs into her ex Aditya (Emraan Hashmi) who tells her that he is been getting nightmares about what is happening to her at her house. Although, she chooses to not believe him, but when Aditya explains each and every incident in detail which she is privy to, she believes him. Aditya also tells her that he knows the reason behind all these activities and Rehaan is keeping a dark secret with her. To find out if Aditya can help Shaina get rid of the evil spirit and what ‘Raaz’ Rehaan is hiding from her, you need to watch the movie.

Like pointed out by me in the start of the review, Vikram Bhatt disappoints the audience’s expectations by making a ‘khichdi’ of all the horror movie plots he has made in the past and also from others and tries to serve as a new movie. The story does not offer anything new. The sequences do not provide anything new, nor does the movie offer any chills or thrills popularly associated with this genre. All the more, one can easily predict how the movie is going to unfold and there is no surprise element. The scenes with the Raven, wall crawling and bent backward pose by the possessed woman or the possessed woman eating insects, eye in the wash basin etc are done to death. The only twist he has given is that no mantra just ‘Mangalsutra’ is the biggest ‘hathyar’ against evil spirits. If Vikram Bhatt had put it across that he is making a spoof of horror movies then I am sure this would have been a great show and tell example

Performances by the lead actors are again a mixed bag. Emraan brings on board his years of acting experience and therefore does not disappoint. Gaurav Arora is promising, although the first sequence of the movie when he and Kriti’s character are shown entering the house, his expression seems to be flat and wooden, however, if you excuse that one scene, you will see a potential powerhouse of a talent in the rest of the movie. Few scenes stand out like the confrontation scene with Emraan Hashmi and the emotional breakdown scene towards the end of the movie, Gaurav stands his ground. A great outing for Gaurav and I am sure in the coming days he will only get better. Kriti Kharbanda in her debut Hindi movie seems to be quite amateur and does a bad job, especially in emotional scenes and her possession scenes. If any other actor would have got an author backed role, she would have made a kill for it, alas, Kriti falls flat on her face. I would rather blame Vikram for not extracting the best out of her, the way he did with Bipasha in the first ‘Raaz’ movie.

The music by Jeet Ganguly and Sangeet-Siddharth Haldipur is quite nice but not as good as the first movie in the series (I am sorry for comparing both movies, as I feel, the first movie was the best in this series and I am glad even the producers Mukesh and Mahesh Bhatt has realized that they do not have anything fresh to bring to table, therefore, announcing this to be the last in the series.)

The cinematography by Manoj Soni is superb, the way the snow laden landscapes of Romania are captured is breathtaking. Also, the set designer has done a great job bringing to life some really great pieces of Romanian furniture on screen.

On the whole, the movie is a spoof on horror movies, rather than being a horror fest. Moreover, I would like to give my rating only for the music and performances by Gaurav and Emraan. Sorry, this movie didn’t work for me at all.

My Verdict: 1/5

Movie Review: Baar Baar Dekho – A Total Letdown!

A news like Dharma Productions and Excel Entertainment joining hands is something to celebrate, as both premier production houses are known for some pathbreaking and good movies. However, after watching Baar Baar Dekho, I must admit that even best in the industry can also come up with a bad product. Debutant director Nitya Mehra had everything going in her favor viz. Big stars – Katrina Kaif and Siddharth Malhotra, big names/banners – Karan Johar, Farhan Akhtar & Ritesh Sidhwani, good songs – Kala Chashma, Nachde Ve Saare, Sau Aasman etc, big budget, picturesque locations and a grand release, alas all gone waste.

The movie tells the story of childhood friends turned sweethearts Diya (Katrina) and Jay (Siddharth) ready to tie the knot. However, on the day of their marriage, it dawns on him that they are different and he chickens out of the marriage. Then comes the time travel part where Jay with every sleep he wakes from finds himself in different time zones and he keeps aging and so does his relationship with Diya which is going for a toss and how he goes back to mend the relationship forms the rest of the story.

There is nothing new in the story or the premise as we have seen many similar ones churned out by Hollywood in the past. Also, if we jog our mind, there were few examples in Hindi movies too, eg: Love Story 2050, Kal Kisne Dekha and Action Replay. The first 30 mins are quite exciting and build up the expectations of the viewers, however, post the first time traveling expedition, the movie nose dives. Nitya Mehra needs to work harder as a director in her future movies as she is not able to leave a stamp with her abilities.

The screenplay, story, and dialogues by Sri Rao, Anuvab Pal, Nitya Mehra and Anvita Dutt is not up to the mark. Katrina and Siddharth do not deliver any noteworthy performances. There are not many surprises from the supporting cast either. The music is good, the editing is very average. The cinematography by Ravi K Chandran is breathtaking.

On the whole, you will not miss too much if you do not watch this movie.

My Verdict: *