Movie Review: Simran – Outstanding Performance, Weak Script!

If I say Kangana Ranaut is one of the most talented actors in India is an understatement. Kangana is the only actor in India who I think can hold up interest in a weak scripted movie with her performance alone, eg: Simran, this week’s release. A lot of hype was created around the movie about how Kangana was taking away the credits for the script from the writer of the movie Apurva Asrani. Kangana also claimed she improvised on the script and wrote numerous drafts over Apurva’s original draft and the movie is the result of those improvisations. However, if that is true, then Kangana should leave the writing part to the writers and stick to her part which is acting (she does that better than anything else).

Coming to the movie, Simran tells the story of a 30-year-old divorcee Praful Patel (Kangana) who works as a housekeeper in a luxury hotel in Atlanta. Praful stays with her parents and dreams of owning her own house. Things go out of hand when she loses all her money in a casino in Las Vegas and to win back her money she takes a loan from a loan shark. Meanwhile, her loan application gets rejected due to bad credit history. With the loan shark breathing down her neck, she has no choice but to start looting banks to pay back the loan amount.

The story is inspired by a true life incident however, the screenplay is a big let down. The first half is quite entertaining but the curse of second half puts its hands on this movie too. The second half is quite boring, unimaginative and blows the logic of our brains. The way Praful goes looting the bank and the way American cops seems to tackle the issue is quite childish and amateurish. Baring few really bad dialogues (eg: “Tumhe saans lete dekhna hi ek kamyabi hai” mouthed by Sohum Shah in a park while talking to Kangana), it is quite funny and real lifelike.

Coming to performances, the movie revolves around Kangana and therefore she is in the limelight. She blows your mind with her performance. The way she laughs, cries, emotes only through expressions is something only Kangana can do and it is quite believable. The way Kangana tries to flirt with a guy in a bar is quite hilarious. Also, the way she cries after losing her money in the casino reminds you of her drunken breakdown scene from Queen. There is a scene in the movie where Kangana does not have a dialogue, she just has to lift a champagne glass and toast it with the cityscape of Las Vegas, one can see and feel how she is celebrating the emptiness of her life. The scene where she lifts a stool to hit her father after he slaps her is again a wonderful scene. If Queen was one of her best, then Simran tops it. She is worthy of every award and rewards in the coming season. The director and writer have not given ample space for any supporting characters in the movie and therefore they do not leave a lasting impression.

Music by Sachin-Jigar is average but my favorite is ‘Meet’ and ‘Single Rehne De’. I think the filmmakers did a huge mistake by replacing the editor (Apurva Asrani) with Antara Lahiri as the second half editing is quite drab. The cinematography is good and so is the BGM.

Hansal Mehta is a wonderful director but in Simran’s world is a different ball game for him compared to his regular genre of dark and gritty ones, and it shows. There are a lot of scenes in the movie especially in the second half which could have been directed well especially the bank looting scenes and the car chase scenes. However, you cannot deny the fact that if Kangana does a great job with her acting then Hansal has to be praised for getting it out from her.

On the whole, I felt the screenplay lets the movie down but Kangana’s performance takes the movie to a different level.

My Verdict: ***/5 

Movie Review: Katti Batti – Only Katti, No Batti!

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I was still recovering from the torture I suffered from Nikhil Advani‘s last release Hero when I was struck by another bout of suffering with his this week’s Imran Khan-Kangana Ranaut starrer Katti Batti.

Kangana is one actress who is hot in the industry circuits these days after Queen and Tanu Weds Manu Returns. She is also being compared with Aamir Khan for her script sense and that was the only thing that motivated me to go and watch this movie. I have decided to be ‘Katti’ with Nikhil for life after the double dhamakas.

The movie tells the story of Madhav aka Maddy (Imran Khan) and Payal (Kangana), and the on and off relationship with each other. It is love at first sight for Maddy and he keeps on pursuing Payal who is not interested in a serious relationship but ‘timepass’. Somehow the couple get into a live-in relationship, but after a slew of fights and incidents, Payal leaves him, forever, and Maddy is shattered. But, there is a ray of hope for him as he feels somewhere deep inside that Payal can’t be so heartless. And this realisation brings him back to life and he goes Payal-hunting. The rest of the movie is all about him trying to get her number, gatecrashing her marriage and attempts to woo her back.

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The story and screenplay by Anshul Singhal is a big let down and the constant flashbacks is a huge hindrance to the narrative. The dialogues are funny but no movie can run only on the basis of dialogues. Nikhil has proved once again that he is a mediocre director who needs to go back to assisting Karan Johar to learn more tricks about moviemaking. Performances are average especially Imran Khan’s who struggles to act but he couldn’t get it right. I blame the director for the same because even Kangana (a great performer) does an average job in this movie. However, Imran has a lengthier role compared to Kangana who is hardly there in the movie.

Coming to music, it is no great shakes. Shankar-Ehsaan-Loy has given better music in Nikhil’s previous movies like Kal Ho Na Ho or Salaam-E-Ishq. The cinematography is first rate and one should applaud Tushar Ray for the same. The movie could have been edited further to make it look crispier because most of the parts in the first half drags a lot.

On the whole, the movie is a rehash of several Hollywood movies which we have seen and is not even worth a dekho.

My Verdict: *